About

First opened on August 15, 1904, Ravinia was conceived as a high-end amusement park—complete with music pavilion, dance hall, baseball stadium, theater, and electric swing—by the A.C. Frost Company to lure Chicagoans to ride its fledgling Chicago and Milwaukee Electric Railroad to a respite in the woods, far from the heat and smells of a city known as the “hog butcher to the world.” Trains still stop at Ravinia’s historic entrance today, serviced by the Metra Union Pacific North line, making it the only private train stop left in Illinois.

As Ravinia grew in popularity, summer cottages popped up nearby, and when the train company went bust, Ravinia continued to thrive under the leadership of a group of North Shore philanthropists who created the Ravinia Company, headed by Louis Eckstein. Today Ravinia operates as a self-owned nonprofit—the Ravinia Festival Association—still overseen by a volunteer board of business and community leaders, but now managed by President & CEO Jeffrey P. Haydon and a year-round professional staff, with support from its active and insightful Women’s Board (established in 1964) and its Associates Board of young movers and shakers (established in 1988).

From 1919 through 1931, Ravinia was known as the “summer opera capital of the world,” welcoming to its stage the most-celebrated singers from Europe who sailed to America to perform at the Met and were in no hurry to make that arduous return voyage. Even during this period, the railway proved crucial to the festival’s success, and many great operas were truncated so audiences would not miss the last train of the evening. Ravinia shuttered for four years during the Great Depression, reopening in 1936 with a greater emphasis on symphonic music, hosting the first formal summer residency of the Chicago Symphony Orchestra, an enviable relationship that exists to this day. In 1938, Benny Goodman made headlines by breaking racial barriers, performing at Ravinia with an integrated band.

Ravinia continues to attract headline-making artists from all genres of music. The festival’s illustrious roster includes (alphabetically): Marin Alsop, Louis Armstrong, The Beach Boys, Leonard Bernstein, Tony Bennett, Glen Campbell, The Carpenters, Ray Charles, Chicago, Van Cliburn, Common, James Conlon, Aaron Copland, Elvis Costello, Crosby Stills & Nash, Miles Davis, Plácido Domingo, Gustavo Dudamel, Bob Dylan, Earth Wind & Fire, Duke Ellington, Christoph Eschenbach, 50 Cent, Ella Fitzgerald, Sir James Galway, George Gershwin, Dizzy Gillespie, Jascha Heifetz, Janis Joplin, Lady Gaga, Yo-Yo Ma, Stevie Nicks, Jessye Norman, Dolly Parton, Luciano Pavarotti, Itzhak Perlman, Bonnie Raitt, Diana Ross, Mstislav Rostropovich, Santana, Steely Dan, Isaac Stern, Sting, Igor Stravinsky, Daniil Trifonov, Tina Turner, Frederica von Stade, Yuja Wang, John Williams, and Frank Zappa & the Mothers of Invention. Pianist Lang Lang was launched to international superstardom from the stage of Ravinia’s 1999 Gala. Six of the CSO’s music directors first appeared with the orchestra at Ravinia, including Sir Georg Solti and Riccardo Muti. Aretha Franklin’s final full-length concert occurred at Ravinia. In the early 2000s, Ravinia created a series of original productions of Stephen Sondheim musicals with a repertory ensemble that included Audra McDonald, Michael Cerveris, and Patti LuPone, who would go on to win a Tony for her re-creation of the title role in Gypsy on Broadway, a performance she first gave at Ravinia.

Central to Ravinia’s mission is its development of new artists and new audiences. For six decades, Ravinia has made music more accessible through education programs now called Reach Teach Play^®. These programs—including Sistema Ravinia, which creates and maintains student orchestras in elementary schools without music programs of their own—serve 20,000 students each year in Lake and Cook Counties, as well as their families and communities. The Jazz Mentor Program, one of the longest-running RTP initiatives, teams the best Chicago Public High School musicians with the city’s jazz giants to create a real, working ensemble. The Steans Institute is an on-campus summer conservatory, where 60 of the world’s top emerging professional musicians receive fully paid fellowships to train and perform with the artists who headline the festival’s stages.

In addition to its cultural contributions to the Chicago area, Ravinia is also an economic engine for its hometown of Highland Park, attracting visitors to the area, providing jobs (especially for young people just entering the workforce, many of whom graduated right from our Pavilion stage), supplementing the salaries of first responders, sharing revenue with the city, providing positive publicity, and supporting many worthwhile causes. Just more than half of the revenue it takes to run Ravinia each year comes from ticket sales, and the rest is contributed by corporate and private sponsors.