A Piano & Strings Revolution in Paris

At the turn of the 20th century, three great composers—Maurice Ravel, George Enescu, and Gabriel Fauré—were bound together by their shared connections in Paris, where Ravel and Enescu studied under Fauré at the famed conservatory. Led by renowned violinist David Grimal, the talented Steans Piano & Strings Program Fellows celebrate the groundbreaking musical innovations in Paris during this transformative period.

Fauré’s Piano Quartet No. 2 stands as a testament to his originality and influence on the French musical landscape. Hailed as “profound” by Aaron Copland, this work introduces harmonic complexity and a distinctly French musical expression that would influence composers including Debussy and Ravel.

Ravel’s Violin Sonata No. 1, written in 1897 but not published until after his death, showcases his early brilliance. The one-movement work, composed just before his graduation, is filled with crystalline refinement and lush harmonies, embodying Ravel’s pursuit of unhurried perfection.

The Romanian prodigy George Enescu, who arrived in Paris at just 14, was captivated by the city’s vibrant spirit. His Octet, composed in his late teens, merges Romanian folk influences with the innovative musical atmosphere of Paris. The work’s intricate interweaving of eight string parts underscores Enescu’s remarkable early talent.